A View From the Gutters Could Be a Vision of the World, by Alex Cunningham and Damon Smith

A View From the Gutters Could Be a Vision of the World

by Alex Cunningham and Damon Smith

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of [five lines indecipherable], A View From the Gutters Could Be a Vision of the World, Branches Choke, Time Without Hours, Two for Olivia, Armor, Rivaled, Dawn Throws Its First Knife, and 5 more. , and , .

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"A View from the Gutters Could Be a Vision of the World" Cassette
Cassette + Digital Album
Duo cassette with Damon Smith on Personal Archives

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1.	The Living Throat 07:04	buy track
2.	The Cold Will Pay 09:49	buy track
3.	Fossils Gleaming 05:00	buy track
4.	Folded Faces 06:18	buy track
5.	Nostalgic Animals 05:16	buy track

about

ALEX CUNNINGHAM

Alex Cunningham is a violinist, improviser, and visual artist based in St. Louis, MO. His recorded output spans free improvisation, drone, noise, and minimalist composition. Cunningham has recorded with Lisa Cameron, Damon Smith, claire rousay, Chris Trull (under the Apathist! moniker), Mark Shippy, Thom Nguyen, Patrick Shiroishi, and Weasel Walter. Past collaborations include the groups Vernacular String Trio, Hess/Cunningham Duo, and Hardbody. Cunningham has released music on Close/Far Recordings, Personal Archives, Already Dead Tapes and Records, Fort Evil Fruit, Working Man Lay Down, Orb Tapes, Industrial Coast, and Astral Spirits.

DAMON SMITH

Damon Smith studied double bass with Lisle Ellis and has had lessons with Bertram Turezky, Joëlle Leandré, John Lindberg, Mark Dresser and others. Damon’s explorations into the sonic palette of the double bass have resulted in a personal, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Visual art, film and dance heavily influence his music, as evidenced by his CAMH performance of Ben Patterson’s Variations for Double Bass, collaborations with director Werner Herzog on soundtracks for Grizzly Man and Encounters at the End of the World, and an early performance with the Merce Cunningham Dance Company.

Damon has collaborated with a wide range of musicians, including: Cecil Taylor, Marshall Allen (of Sun Ra’s Arkestra), Henry Kaiser, Keith Rowe, Jaap Blonk,Roscoe Mitchell, Weasel Walter, Michael Pisaro, Wadada Leo Smith, Weasel Walter, Marco Eneidi, Wolfgang Fuchs, Peter Brötzmann and Peter Kowald. After many years in the San Francisco Bay Area, and six great years in Houston, Texas working regularly with Alvin Fielder, Sandy Ewen, Thomas Helton, David Dove & Chris Cogburn. Damon moved to the Boston area in the fall of 2016 and began working with Jeb Bishop, Pandelis Karayorgis, Joe McPhee and Ra-Kalam Bob Moses and many others. Damon has run Balance Point Acoustics record label since 2001, releasing music focusing on transatlantic collaborations between US and European musicians.

credits

released September 22, 2023

Alex Cunningham - violin
Damon Smith - double bass

Recorded and mastered by Ryan Wasoba
Titles from poems by Alejandra Pizarnik
Artwork by Alex Cunningham

Released by Personal Archives
personalarchives.bandcamp.com/album/a-view-from-the-gutters-could-be-a-vision-of-the-world

[PA//207]

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about

Alex Cunningham Saint Louis, Missouri

Violinist and improviser based in St. Louis, Missouri.

alexcunninghamviolin.com

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